This 70 pound chocolate colored behemoth, designed by Stewart Hegeman is quite a feat of engineering. It's impressive weight and construction is equally matched by the impressive looking line of tubes, and the conservative 60 WPC power rating. But the really impressive work is "under the hood". Hegeman felt that a good amplifier should not be bandwidth limited to the audible range, but should extend farther in both extremes, so the amplifier can handle the audible range without any of the artifacts of limited bandwidth amplifiers; such as phase shift at the frequency extremes.
This amplifier consists of a pentode input stage, followed by a pair of pentodes as a differential phase splitter. The pentodes Hegeman chose were 12BY7 video pentodes. This choice of tube gives the input stage a bandwidth of well over a megahertz. The output tubes are a pair of KT88's per channel. There is a individual bias controls for each output tube as well as an AC balance control. There is a meter on the back of the amp to measure bias and AC balance. AC balance requires a set of 25 Watt 16 ohm dummy loads be substituted for the speakers. A test signal output RCA jack is supplied on the back of the amplifier. The test signal is fed into each channel and the AC balance pot is adjusted until the meter reads a null.
The output tubes drive a potted transformer which is arguably the best ever built. It was wound by Freed in New York. It has a full power bandwidth of up to about 230 HKz. These transformers look like iron, but sound like gold. They are also scrounged by Bruce Moore for use in his MFA amplifiers. I'm sorry to say that many a Citation II has been gutted for it's iron.
There are three nested feedback loops. The first is from the plates of the phase splitter tubes, to their grids. The second is from the plates of the output tubes to the grids of the phase splitter tubes. The third is from the output transformer secondary to the cathode of the input tube. The total amount of feedback is about 32 dB. This about 10 dB more feedback than a traditional Mullard or Williamson type tube amp. The multiple loops, and fantastic output iron make this possible. The time constants of each loop have been carefully calculated. 10 KHZ square waves (at about 2/3 power) look amazingly good, with just a tiny hint of ringing (one period). This amplifier is amazingly stable for any tube amplifier, let alone a tube amp with that much feedback.
When the passive components in this amp are updated, this amp sounds just amazing. It produces music with an authority and an ease that is unequaled in the audio world. It tends to have a dry and "correct" sound rather than a "tube amp" sound. If you want the warmth and caramel sound of vintage tubes, this may not be the amplifier for you. If you want your music served up honestly with a bare minimum of distortion (and no solid state distortion), this may be the amp for you.
Note:This amp will Eat Quad ESL's, it sounds good, but can fry tweeters instantly
I've designed a Power Supply Capacitor board for the Citation II. This board replaces the 5 large can capacitors in the power supply section of the Harman Kardon Citation II amplifier. Exact replacements for the original can capacitors are impossible to find. The values needed can be built up with various replacement caps, but the installation of all the needed capacitors tends to make the amplifier very messy. This circuit board uses readily available circuit board mounted capacitors. There is a large range of values and voltages available in this form factor. The board easily holds similar capacitor values to the original can caps with room to spare. The capacitor values can be increased substantially and still fit on the board and in the amplifier. As an added bonus, the cost of all the caps needed is almost the same as a single modern twist lock capacitor. The Acrobat file which contains the board layout, parts list and photos of the installed board is here:
Citation II Capacitor Board (428 Kb)
Harmon Kardon Citation II Schematic
Citation II Photofacts (2.1 Mb)
Changes I've made to my Citation II
- Repainted output and power transformers.
- Replaced all original resistors with wire-wound, and metal film resistors.
- Replaced all capacitors with polypropylene in the signal path, fresh electrolytics, and silver mica feedback compensation caps.
- Replaced electrolytic input screen grid caps with a big polypropylene caps.
- replaced all the 9 pin sockets with fresh ones.
- Replaced the courtesy outlet with a power switch.
- Built new circuit boards to hold Tiffany RCA jacks for input and balance signal.
- Swapped bias pot leads so bias pot direction corresponds to bias needle deflection.
- Installed a 5 amp inrush current limiter in primary circuit of power transformer. The power transformer no longer makes and audible bwannnggg when I power the amp up.
- The inrush current limiter allowed me to replace the 8 amp fuse with a 5 amp fuse for added protection.
- Installed my replacement power supply capacitor board.
- My R76 value is 2.2 K ohms which is different than the Sams, I don't know if I changed that or if my amp came that way.
- I added a 100 ohm resistor in parallel with the meter current limiting resistor R72. This makes the meter read right on the bias mark when the output tubes are each dissipating 25 watts of power. This corresponds to an idle current of 55 mA. The stock bias mark has almost 100 mA going through each tube for a plate dissipation of about 42 watts.